Abu daya da aikace-aikacen Apple yake da shi koyaushe shine cewa an tsara su kuma an ƙirƙira su don gamsar da masu buƙatu. Gaskiya ne cewa akwai wasu sifofin da suka yi yawa da sauran sifofin da ayyukan da mutane da yawa suke da mahimmanci an kawar da su, kodayake, Apple a mafi yawan lokuta yana sauraron mabiyansa kuma ya gyara shi.
A yau muna son sake yin magana da ku game da aikace-aikacen ƙwararru don gyaran bidiyo na Apple, Final Cut Pro X, aikace-aikace mai mahimmanci ga waɗanda daga cikinmu waɗanda aka sadaukar don gyara bidiyo ko dai a cikin mai son ko kwararre
Labaran da muke son fada muku yana da alaƙa da gajeren gajere na Mutanen Espanya wanda yake ɗan takarar Oscar kuma wanda ya kira kansa Lamun lokaci. Gaskiyar ita ce, tauraruwar fasalin ta, ga mu waɗanda ke bin kamfanin a kan bulo, shi ne cewa an shirya ta gaba ɗaya tare da Final Cut Pro X.
Juanjo Giménez ne ya jagoranci gajeren fim din Timecode kuma yayin da lokaci ya wuce ya zama ɗayan waɗanda aka fi so. Saboda haka, a cikin bugu na 89 na bikin wanda zai gudana a ranar 26 ga Fabrairu a gidan wasan kwaikwayo na Dolby a Los Angeles, zai yi gasa don mutum-mutumi.
Darektan Timecode, ba shi da kuɗi da yawa don harba shi, dole ne ya yi rikodin a cikin ƙarshen mako ɗaya kuma daga baya ya sake yin aikin ba tare da komai ba kuma babu komai ƙasa da Final Cut Pro X da MacBook Pro na 2008 tare da haɗin gwiwa tare da 2010 Mac Pro.
Kamar yadda kake gani, manyan saka hannun jari ba lallai ba ne don samun samfuran ƙarshe wanda zai iya kaiwa sama.